In Coralie Fargeat's new feminist horror film The Substance, dangerous popular appeal specifications are the true monsters. They (women objectification, the disposal of "the outdated," the expansion of a field built on physical body adjustment) nourish a beast of a pattern that leads Demi Moore's fading TV individuality character Elisabeth Dazz

We invite the reader to participate in an insightful journey through the silver screen in this series of reviews about films. reviewers explore the intersection of the arts and culture, shedding light on the ways movies reflect, challenge and challenge our notions of our world.Reel RavesDay ShiftThe Typing of the Dead Overkill Movie ReviewZombie Hu